1. Chapter › Research
  2. Published

    How does the riot speak?

    Nield, S., 2019, The Routledge Companion to Theatre and Politics. Eckersall, P. & Grehan, H. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Published

    How does theatricality legitimise the law?

    Nield, S., 7 Feb 2019, Thinking Through Theatre and Performance. Bleeker, M., Kear, A., Kelleher, J. & Roms, H. (eds.). 1st ed. Methuen Drama, p. 284-295 12 p. (Thinking Through Theatre).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Published

    How To Look Like Yourself

    Nield, S., 2011, From the Bottom of the Chin: To the Top of the Head. Sousa, P. (ed.). Dutch Art Institute, p. 6-13 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    Howard Barker

    Megson, C., 2003, Continuum Encyclopaedia of British Literature. Serafin, S. & Grosvenor Myer, V. (eds.). New York and London: Continuum Group, p. 62-3

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    Howard Barker and the Theatre of Catastrophe

    Megson, C., 2006, A Companion to Modern British and Irish Drama, 1880-2005. Luckhurst, M. (ed.). Oxford: Blackwell, p. 488-498

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Published

    Howard Brenton

    Megson, C., 2003, Continuum Encyclopaedia of British Literature. Serafin, S. & Grosvenor Myer, V. (eds.). New York and London: Continuum Group, p. 113-4

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Published

    Howard Brenton

    Megson, C., 2004, New Makers of Modern Culture. Wintle, J. (ed.). New York: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Published

    Hungry Ghosts and Inalienable Remains: Performing Rights of Repatriation

    Cox, E., Aug 2015, Theatre and Human Rights after 1945: Things Unspeakable. Luckhurst, M. & Morin, E. (eds.). Palgrave Macmillan, p. 110-127 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    Hybridity in Komedi Stambul

    Cohen, M., 2009, Chewing Over the West: Occidental Narratives in Non-Western Readings. Jedamski, D. (ed.). Amsterdam & Atlanta GA: Editions Rodopi BV, p. 275-301

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Published

    Imaginaries: Art, Film, and the Scenography of Oceanic Worlds

    Crawley, G., Neudecker, M. & Critchley, E., 2022, The Routledge Handbook of Ocean Space. Peters, K., Anderson, J., Davies, A. & Steinberg, P. (eds.). First ed. London: Routledge, (Routledge International Handbooks).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Published

    Improvisation in Dance and the Movement of Everyday Life

    Worth, L., 2 Apr 2019, The Oxford Handbook of Improvisation in Dance. Midgelow, V. L. (ed.). 1 ed. Oxford: Oxford University Press, p. 1-13 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Published

    In Warsaw’s New York: Krzysztof Warlikowski’s Queer Interventions

    Lease, B., 2016, Queer Dramaturgies: International Perspectives on Where Performance Leads Queer. Campbell, A. & Farrier, S. (eds.). Palgrave Macmillan, p. 35-51 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    Indonesian performing arts in the Netherlands, 1913-1944

    Cohen, M. I., 2013, Recollecting Resonances: Indonesian-Dutch Musical Encounters. Barendregt, B. & Bogaerts, E. (eds.). Brill, p. 231-258

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    Intergenerational Reminiscence Theatre

    Nicholson, H., 2009, Applied Theatre: International Case Studies. Prendergast, M. & Saxton, J. (eds.). Bristol: Intellect Books, p. 174-178 4 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Published

    Interiorities

    McGirr, E., 2012, Cambridge History of the English Novel. Cambridge University Press, p. 80-96 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    Interviews with Basia Irland

    Williams, D. & Irland, B., 2007, Water Library. Albuquerque, NM: University of New Mexico Press, p. 8-9, 26-9, 45-8, 61-2, 106-11, 119-23, 134-5, 163-5, 191, 203-4 31 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Published

    Interviews with Ron Smedley and Simon Rice on the teaching of folk dance and national dances at The Royal Ballet School. Additional material on track 3 DVD.

    Worth, L., 2 Jul 2012, Ninette de Valois: Adventurous Traditionalist. Cave, R. & L. W. (eds.). Alton Hants: Dance Books, p. 105-116 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Published

    Introduction

    Goddard, L., 2011, Mojisola Adebayo: Plays One. London: Oberon Books

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. Published

    Introduction: The Transnational Dynamic in Southeast Asian Performance

    Cohen, M. I. & Noszlopy, L., 2010, Contemporary Southeast Asian Performance: Transnational Perspectives. Noszlopy, L. & Cohen, M. I. (eds.). Cambridge: Cambridge Scholars, p. 1-23 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Published

    Introduction: Recasting commodity and spectacle in the indigenous Americas

    Gilbert, H. & Gleghorn, C., 2014, Recasting Commodity and Spectacle in the Indigenous Americas. Gilbert, H. & Gleghorn, C. (eds.). Institute of Latin American Studies, p. 1-18 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Forthcoming

    Introduction

    Rebellato, D., 2015, (Accepted/In press) Citizenship by Mark Ravenhill. London: Bloomsbury Methuen Drama, p. 3-17 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published

    Introduction

    Rebellato, D., 2015, An Oak Tree by Tim Crouch: 10th Anniversary Edition. London: Oberon, p. 5-8

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Published

    Introduction

    Bullen, D., Dec 2015, Adaptable Women: A Collection of Essays to Accompany By Jove Theatre's Pantomime Adaptation of 'Pride and Prejudice'. Plastow, C. (ed.). London: By Jove Theatre Company

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Published

    Introduction

    Schafer, E. & Bradley Smith, S., 2003, Playing Australia: Australian theatre and the International Stage. Schafer, E. & Bradley Smith, S. (eds.). p. 1-10

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Published

    Introduction

    Goddard, L., 12 Dec 2019, Mojisola Adebayo Plays Two. London: Oberon Books

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. In preparation

    Introduction

    Schafer, E., 2022, (In preparation) Emilia : by Morgan Lloyd Malcolm. London: Methuen Drama

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. Published

    Introduction and Notes

    Rebellato, D. (ed.) & McDowall, A., 2020, Pomona: Student Edition. London: Bloomsbury Methuen Drama, p. vi-xxiii, 119-120 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. Published

    Introduction to Part V: Presence, Physicality, Play and Communication

    McCaw, R., 2015, The Actor Training Reader. Abingdon: Routledge, p. 171 -181 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. Published

    Introduction: The Power of Speech

    Nield, S., 2008, Farber, Yael “Molora”. Oberon Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Published

    'Is it chaos? Or is it a building site?': British Theatrical Responses to the Cold War and its Aftermath

    Megson, C., 2005, Cold War Literature: Writing the Global Conflict. Hammond, A. (ed.). London: Routledge, p. 46-62

    Research output: Chapter in Book/Report/Conference proceedingChapter

  32. Published

    Island Impasse: Refugee Detention and the Thickening Border

    Cox, E., 2021, The Oxford Handbook of Politics and Performance. Rai, S., Gluhovic, M., Jestrovic, S. & Saward, M. (eds.). Oxford University Press, p. 217-233 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. Published

    Jane Scott the writer-manager

    Bratton, J., 1999, Women and Playwriting in Nineteenth-Century Britain. Davis, T. C. & Donkin, E. (eds.). Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. Published

    Katie Mitchell: Learning from Europe

    Rebellato, D., 2020, Contemporary European Theatre Directors. Delgado, M. & Rebellato, D. (eds.). 2nd ed. Routledge, p. 427-452 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  35. Published

    Katie Mitchell and the Politics of Naturalist Theatre

    Rebellato, D., 2018, The Theatre of Katie Mitchell. Fowler, B. (ed.). London: Routledge, p. 39-71 33 p. (4x45).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. Published

    Katie Mitchell: Learning from Europe

    Rebellato, D., 2010, Contemporary European Theatre Directors. Delgado, M. M. & Rebellato, D. (eds.). Abingdon: Routledge, p. 317-338

    Research output: Chapter in Book/Report/Conference proceedingChapter

  37. Published

    Kinds of Irishness: Henry Burnell and Richard Head

    Rankin, D., 2010, A Companion to Irish Literature: volume 1. Wright, J. M. (ed.). Oxford: Wiley-Blackwell, Vol. 1. p. 108-124 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  38. Published

    'Kwame Kwei-Armah'

    Goddard, L., 2011, The Methuen Drama Guide to Contemporary British Playwrights. Sierz, A., Middekke, M. & Schnierer, P. P. (eds.). London: Methuen, p. 323-42

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Published

    La investigación de campo en los estudios culturales. Presuposiciones, fundamentos, amplitud y validez a partir de una etnografía en los Andes ecuatorianos

    Huarcaya, S. M., 2003, Estudios Culturales Latinoamericanos: Retos Desde y Sobre la Región Andina. Quito: Universidad Andina Simón Bolívar

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. Published

    Las Ramblas: the memory of water, the water of memory

    Williams, D., 2001, Of pigs and lovers: a lone twin research companion. Whelan, G. & Winters, G. (eds.). Nottingham: LiveArt Magazine/Arts Council of England, p. unpaginated 1 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. Forthcoming

    Learning through Feeling: The Somatic Pedagogy of Moshe Feldenkrais and Nikolai Bernstein

    McCaw, R., 2020, (Accepted/In press) The Feldenkrais Method and Creative Practice. Scholl, R. (ed.). London: Methuen

    Research output: Chapter in Book/Report/Conference proceedingChapter

  42. Published

    Lena Ashwell and her Players: Popular Performers on Extraordinary Stages

    Dymkowski, C., 2004, Extraordinary Actors: Essays on Popular Performers. Milling, J. & Banham, M. (eds.). Exeter: Exeter University Press, p. 120-34

    Research output: Chapter in Book/Report/Conference proceedingChapter

  43. Published

    'Let the Games Begin': Pageants, Protests, Indigeneity (1968–2010)

    Gilbert, H., 2014, The Politics of Interweaving Performance Cultures: Beyond Postcolonialism. Fischer-Lichte, E., Jost, T. & Jain, S. I. (eds.). New York: Routledge, p. 156–75. 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  44. Published

    Listening to the Politics of Aesthetics: Contemporary Encounters Between First Nations/Inuit and Early Music Traditions

    Robinson, D., 2012, Aboriginal Music in Contemporary Canada: Echoes and Exchanges. Hoefnagels, A. & Diamond, B. (eds.). Montreal: McGill-Queen's University Press, p. 222-248 26 p. (Native and Nothern Series; no. 66).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  45. Published

    Look back at empire: British theatre and imperial decline

    Rebellato, D., 2001, British Culture and the End of Empire. Ward, S. (ed.). Manchester: Manchester University Press, (Studies in Imperialism).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  46. Published

    Lu Santo Julláre Dario Fo

    Rebellato, D., 2002, Research Papers on Dario Fo and Franca Rame. Emery, E. (ed.). London: Red Notes, (Red Notes Italian Archive).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  47. Published

    'Lynette Goddard in conversation with Mojisola Adebayo'

    Goddard, L., 2008, Hidden Gems. Osborne, D. (ed.). London: Oberon Books

    Research output: Chapter in Book/Report/Conference proceedingChapter

  48. Published

    Marriage and prostitution in classical New Comedy

    Wiles, D., 1989, Women in Theatre: Themes in Drama Vol.11. Redmond, J. (ed.). Cambridge: Cambridge University Press, p. 31-48

    Research output: Chapter in Book/Report/Conference proceedingChapter

  49. Published

    Maybe If You Choreograph Me: You'll Feel Better

    El Khoury, T., 2016, Forest Fringe : The First Ten Years.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  50. Published

    Measure for Measure: Shakespeare’s Twentieth-Century Play

    Dymkowski, C., 2010, Shakespeare in Stages: New Theatre Histories. Dymkowski, C. & Carson, C. (eds.). Cambridge: Cambridge University Press, p. 164-84

    Research output: Chapter in Book/Report/Conference proceedingChapter

  51. Published

    'Middle Class Aspirations and Black Women’s Mental Illness in Zindika’s Leonora’s Dance, and Bonnie Greer’s Munda Negra and Dancing on Blackwater'

    Goddard, L., 2007, Cool Britannia: British Political Theatre in the 1990s. D'Monte, R. & Saunders, G. (eds.). Basingstoke: Palgrave, p. 96-113

    Research output: Chapter in Book/Report/Conference proceedingChapter

  52. Published

    Millennial Blues: Performing the (White) Nation

    Gilbert, H., 2003, Playing Australia: Theatre, Diaspora, Dialogue. Pfisterer, S. & Schafer, L. (eds.). Amsterdam: Editions Rodopi BV, p. 12-28

    Research output: Chapter in Book/Report/Conference proceedingChapter

  53. Published

    Mining Anatomy: Moving Naturally

    Worth, L., Oct 2011, Dancing Naturally : Nature, Neo-Classicism and Modernity in Early Twentieth-Century Dance. Carter, A. & Fensham, R. (eds.). 1st ed. Hampshire: Palgrave Macmillan, p. 155-169 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  54. Published

    Music Hall

    Bratton, J., 2003, Cambridge Companion to Victorian and Edwardian Theatre. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  55. Published

    Music in traditional Asian theatre: China

    Thorpe, A., 2016, The Routledge Handbook of Asian Theatre. Liu, S. (ed.). London & New York: Routledge, p. 134-139 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  56. Published

    Musical Epistemology

    Robinson, D., 2009, Ways of Knowing: (Un)doing Methodologies, Imagining Alternatives in the Humanities. Verstraete, P., Itay, S., Birdsall, C. & Boletsi, M. (eds.). Cambridge Scholars, p. 245-266

    Research output: Chapter in Book/Report/Conference proceedingChapter

  57. Published

    Musicology Objects

    Robinson, D., 2008, Collision: Interarts Practice and Research. Cecchetto, D., Cuthbert, N., Lassonde, J. & Robinson, D. (eds.). Cambridge Scholars, p. 225-242 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  58. Published

    Myth and the Monster of Intersex: Narrative Strategies of Otherness in XXY (Lucía Puenzo, Argentina, 2007)

    Gleghorn, C., 2011, Latin American Cinemas: Local Views and Transnational Connections. Bermúdez Barrios, N. (ed.). Calgary, AB: Canada: University of Calgary Press, p. 149-174 26 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  59. Published

    National Identity and the Female Body

    Nield, S., 2000, Feminisms on Edge: Politics, Discourses and National Identities. Atkinson, K., Oerton, S. & Plain, G. (eds.). Cardiff, Wales: Cardiff Academic Press, p. 101-110 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  60. Published

    Naturalism and Symbolism: Early Modernist Practice

    Rebellato, D., 2010, The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance. Gale, M. & Deeney, J. (eds.). Abingdon: Routledge, p. 6-24

    Research output: Chapter in Book/Report/Conference proceedingChapter

  61. Published

    New Directions: Much Ado – Women (and Men) of a Certain Age

    Schafer, E. & Reimers, S., 8 Feb 2018, Much Ado About Nothing: A Critical Reader. Cartmell, D. & Smith, P. J. (eds.). 1 ed. London: Bloomsbury Academic, p. 111-132 22 p. (Arden Early Modern Drama Guides).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  62. Published

    New Images and Old lies: Gender and Drama Education

    Nicholson, H. & Bundy, P., 2003, Special Interest Fields of Drama, Theatre and Education. Heikkinen, H. (ed.). Jyvaskyla University Press, p. 68-84

    Research output: Chapter in Book/Report/Conference proceedingChapter

  63. Published

    'Nigerian Political Satire on the Contemporary British Stage: Class, Culture and Theatrical Languages in Oladipo Agboluaje's The Estate and Iyale (The First Wife)'

    Goddard, L., 2018, Africa on the London Stage. Morosetti, T. (ed.).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  64. Published

    Nobody Really Wants To Be Here: Tim Crouch's Work for Children

    Rebellato, D., 2016, Tim Crouch ou la scène émancipée. Angel-Perez, E., Kiehl, C. & Lanteri, J-M. (eds.). Paris: RADAC, p. 89-108 (Coup de Théâtre).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  65. Published

    Noël Coward's Bad Manners

    Rebellato, D., 2000, Look Back in Pleasure: Noël Coward Reconsidered. Kaplan, J. & Stowell, S. (eds.). London: Methuen

    Research output: Chapter in Book/Report/Conference proceedingChapter

  66. In preparation

    Noh and European Practitioners

    Pellecchia, D., 2013, (In preparation) A History of Japanese Theatre. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  67. In preparation

    Noh at the Venice Biennale 1957

    Pellecchia, D., 2013, (In preparation) A History of Japanese Theatre. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  68. Published

    Objectivity and Observation

    Rebellato, D., Dec 2020, The Cambridge Companion to Theatre and Science. Shepherd-Barr, K. (ed.). Cambridge: Cambridge University Press, p. 12-25 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  69. Forthcoming

    Oedipus: the chronotope

    Wiles, D., 2011, (Accepted/In press) Close Relations: the Spaces of Greek and Roman Theatre. Griffiths, J. & Monaghan, P. (eds.). Cambridge: Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  70. Published

    On Churchill's Influences

    Rebellato, D., 2010, Cambridge Companion to Caryl Churchill. Aston, E. & Diamond, E. (eds.). Cambridge: Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  71. Published

    On Show: Truth and Reconciliation in Canada

    Gilbert, H., Mar 2018, The Social Work of Narrative: Human Rights and the Cultural Imaginary. Griffiths, G. & Mead, P. (eds.). Hannover: Ibidem-Verlag, p. 243-262 20 p. (Studies in World Literature; vol. 4).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  72. Published

    On Text and Dance: New Questions and New Forms

    Worth, L., 10 Dec 2009, The Cambridge Companion to Caryl Churchill. Alston, E. & Diamond, E. (eds.). Cambridge: Cambridge University Press, p. 71-87 17 p. (Cambridge Companions to Literature).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  73. Published

    On the Border as Theatrical Space: appearance, dis-location and the production of the refugee

    Nield, S., 2006, Contemporary Theatres in Europe. Kelleher, J. & Ridout, N. (eds.). Routledge, p. 61-72

    Research output: Chapter in Book/Report/Conference proceedingChapter

  74. Submitted

    Out of the Exhibition: Installation, Activation, Invigilation

    Gilbert, H. & Phillipson, J. D., 2019, (Submitted) In the Balance: Indigeneity, Performance, Globalization. Gilbert, H., Raheja, M. & Phillipson, J. D. (eds.). 2nd ed. Liverpool: Liverpool University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  75. Published

    Pantomime and the Experienced Young Fellow

    Bratton, J., 11 Aug 2010, Victorian Pantomime. Davis, JI. (ed.). Cambridge: Cambridge University Press, p. 87-100 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  76. Published

    Past imperfect, present tense: on history as discarded practice

    Nield, S., 2014, Misperformance: essays in shifting perspectives. Blazevic, M. & Cale Feldman, L. (eds.). Llubljana: MASKA Insititute of Publishing, Production and Education, p. 69-78 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  77. Published

    Paweł Demirski and Dorota Masłowska: Painful pasts, transformative presents

    Lease, B., 2020, Contemporary European Playwrights. Delgado, M., Lease, B. & Rebellato, D. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  78. Published

    Peaceful Surface and Monstrous Depths: Barbara Pentland and Dorothy Livesay’s The Lake

    Robinson, D., 2011, Opera Indigene: Re/presenting First Nations and Indigenous Culture. Karantonis, P. & Robinson, D. (eds.). Ashgate, p. 245-57 16 p. (Interdisciplinary Studies in Opera; no. 1).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  79. Published

    Penny Saunders: A landscape of possibilities

    Crawley, G., 2007, Collaborators: UK Design for Performance 2003-2007 . Burnett, K. & Allen, K. (eds.). Society of British Theatre Designers

    Research output: Chapter in Book/Report/Conference proceedingChapter

  80. Published

    Performer training: researching practice in the theatre laboratory

    Worth, L., Apr 2011, Research Methods in Theatre and Performance. Kershaw, B. & Nicholson, H. (eds.). Edinburgh University Press, (Research Methods for the Arts and Humanities).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  81. Published

    Performing animal, becoming-animal: animal acts

    Williams, D., 2001, Body Show/s: Australian Viewings of Live Performance. Tait, P. (ed.). Amsterdam/Atlanta GA: Editions Rodopi BV, p. 44-59 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  82. Published

    Performing Bogotá: Memories of an Urban Bombing

    Estrada Fuentes, M., 2014, Performing Cities. Whybrow, N. (ed.). Palgrave Macmillan, p. 233-244

    Research output: Chapter in Book/Report/Conference proceedingChapter

  83. Published

    Performing HerSelf: Practice-based Research and Women’s Theatre History

    Bush-Bailey, G., 2008, Acting on Stage - Acting on Film [O ithopios, anamesa sti skini kai stin othoni]. Adamou, C. (ed.). Athens, OH, and Leiden: Kastanioti

    Research output: Chapter in Book/Report/Conference proceedingChapter

  84. Published

    'Performing Palermo: protests against forgetting'

    Williams, D., 20 Aug 2014, Performing Cities. Whybrow, N. (ed.). Basingstoke: Palgrave Macmillan, p. 21-38 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  85. Published

    Performing the Anthropocene: Marrugeku's Cut the Sky

    Gilbert, H., 2020, Ecocritical Concerns and the Australian Continent. Neumeier, B. & Tiffin, H. (eds.). New York & London: Lexington Books, p. 219–33 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  86. Published

    Peter Brook

    Williams, D. & Kennedy, D. (ed.), 2010, The Oxford Companion to Theatre and Performance. Oxford: Oxford University Press, p. 84-6 3 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  87. Published

    Peter Brook: transparency and the invisible network

    Williams, D. & Marshall, L., 2000, Twentieth Century Actor Training. Hodge, A. (ed.). London and New York: Routledge, p. 174-190 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  88. Published

    Philip Ridley

    Rebellato, D., 2011, The Methuen Drama Guide to Contemporary British Playwrights. London: Methuen Drama, p. 425-444

    Research output: Chapter in Book/Report/Conference proceedingChapter

  89. Published

    Pinter's Memory Plays of the 1970s

    Megson, C., 2014, The Theatre of Harold Pinter. Taylor-Batty, M. (ed.). London: Methuen, p. 215-231

    Research output: Chapter in Book/Report/Conference proceedingChapter

  90. Published

    Playing with shadows in the dark: Shadow theatre and performance in flux

    Cohen, M., 27 Jul 2017, Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. Alston, A. & Welton, M. (eds.). 1st ed. Methuen Drama

    Research output: Chapter in Book/Report/Conference proceedingChapter

  91. Forthcoming

    Politics in the Dark: Risk Perception, Affect and Emotion in Lundahl and Seitl’s Rotating in a Room of Images

    Alston, A., 2013, (Accepted/In press) Affective Performance and Cognitive Science: body, brain and being. Shaughnessy, N. (ed.). Methuen

    Research output: Chapter in Book/Report/Conference proceedingChapter

  92. Published

    Popular Theatre 1896-1940

    Nield, S., 2004, Cambridge History of British Theatre vol. 3. Kershaw, B. (ed.). Cambridge University Press, p. 86-109

    Research output: Chapter in Book/Report/Conference proceedingChapter

  93. Published

    Portable Theatre Company

    Megson, C., 15 Dec 2016, British Theatre Companies : 1965-1979. Bull, J. (ed.). 1st ed. London: Methuen Drama, p. 171-194 24 p. (British Theatre Companies: From Fringe to Mainstream).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  94. Published

    Postcolonial Noncitizenship in Australian Theatre and Performance: Twenty-First Century Paradigms

    Cox, E., Nov 2017, The Bloomsbury Introduction to Postcolonial Writing: New Contexts, New Narratives, New Debates. Ramone, J. (ed.). London: Bloomsbury, p. 141-157 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  95. Published

    Post-colonial Theatre, Tourism, and the Sex Trade

    Gilbert, H., 1998, The Body in the Library: Post-colonial Representations of the Body. Dale, L. & Ryan, S. (eds.). Amsterdam: Editions Rodopi BV, p. 206-215

    Research output: Chapter in Book/Report/Conference proceedingChapter

  96. Published

    Postscript: inner life

    Cohen, M., 2006, Life is with Others: Selected Writings on Child Psychiatry by Donald J. Cohen. Martin, A. & King, R. A. (eds.). New Haven: Yale University Press, p. 242-248

    Research output: Chapter in Book/Report/Conference proceedingChapter

  97. Published

    Post-War British Theatre

    Rebellato, D., 2021, Tom Stoppard in Context. Loehlin, J. N. & Kornhaber, D. (eds.). Cambridge: Cambridge University Press, p. 199-206

    Research output: Chapter in Book/Report/Conference proceedingChapter

  98. Published

    Protest and Racial Progress in debbie tucker green’s ear for eye

    Goddard, L., 30 Jul 2021, Contemporary Women's Plays Since 2000. Farfan, P. & Ferris, L. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  99. Published

    Queering Masculine Peer Culture: Softening Gender Performances on the University Dance Floor

    Peterson, G. T. & Anderson, E., 2011, Queer Masculinities: A Critical Reader in Education. Landreau, J. & Rodriguez, N. (eds.). New York: Springer, Vol. 21. (Explorations in Educational Purpose).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  100. Published

    Questioning Comedy in Daniels, Wertenbaker, and Churchill

    Dymkowski, C., 1994, New Forms of Comedy. Reitz, B. (ed.). Trier: Wissenschaftlicher Verlag Trier, p. 33-44

    Research output: Chapter in Book/Report/Conference proceedingChapter

  101. Published

    Re: Enactment

    Bush-Bailey, G., Mar 2013, Cambridge Companion to Theatre History. Wiles, D. & Dymkowski, C. (eds.). Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter