1. Published

    'Nigerian Political Satire on the Contemporary British Stage: Class, Culture and Theatrical Languages in Oladipo Agboluaje's The Estate and Iyale (The First Wife)'

    Goddard, L., 2018, Africa on the London Stage. Morosetti, T. (ed.).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  2. Published

    Ninette de Valois: Adventurous Traditionalist

    Cave, R. A. (ed.) & Worth, L. (ed.), 2 Jul 2012, Alton, Hampshire: Dance Books. 308 p.

    Research output: Book/ReportBook

  3. Published
  4. Published
  5. Published

    Nobody Really Wants To Be Here: Tim Crouch's Work for Children

    Rebellato, D., 2016, Tim Crouch ou la scène émancipée. Angel-Perez, E., Kiehl, C. & Lanteri, J-M. (eds.). Paris: RADAC, p. 89-108 (Coup de Théâtre).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    Noël Coward's Bad Manners

    Rebellato, D., 2000, Look Back in Pleasure: Noël Coward Reconsidered. Kaplan, J. & Stowell, S. (eds.). London: Methuen

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. In preparation

    Noh and European Practitioners

    Pellecchia, D., 2013, (In preparation) A History of Japanese Theatre. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. In preparation

    Noh at the Venice Biennale 1957

    Pellecchia, D., 2013, (In preparation) A History of Japanese Theatre. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Published

    Noli Me Tangere: Revealing New Approaches to Early Drama

    Normington, K., 2007, In: Literature Compass. 4, 3, p. 688-697

    Research output: Contribution to journalArticlepeer-review

  10. Published

    Not Magic But Work: An Ethnographic Account of a Rehearsal Process

    McAuley, G., 2012, Manchester: Manchester University Press. 241 p.

    Research output: Book/ReportBook

  11. Published

    Not Mere Beauties: Women on the Restoration Stage

    McGirr, E., 2016, Eighteenth Century Drama: Censorship, Society and the Stage. Adam Matthew

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  12. Published

    Notebook (s-h-i-f-t-s): dramaturg

    Shifts (Malgven Gerbes and David Brandstaetter), 2009

    Research output: Other contribution

  13. Published

    Obituary: David Bradby

    Rebellato, D., 2 Mar 2011, The Guardian, p. 36.

    Research output: Contribution to non-peer-reviewed publicationNewspaper article

  14. Published

    Objectivity and Observation

    Rebellato, D., Dec 2020, The Cambridge Companion to Theatre and Science. Shepherd-Barr, K. (ed.). Cambridge: Cambridge University Press, p. 12-25 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    Objects of Engagement: Conference Response

    Hussein, N., Peterson, G. & Sánchez-Camus, R., 2008, In: Platform. 3, 2

    Research output: Contribution to journalComment/debatepeer-review

  16. Published

    Observations on the importance of the yao/koshi [腰] to the actor in Japanese nô and Chinese jingju (‘Beijing opera’)

    Thorpe, A., 2015, Expressions of the Invisible: A Comparative Study of Noh and Other Traditions: Noh Research Studies 3. Yamanaka, R. & Watson, M. (eds.). Tokyo, p. 19-40 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  17. Published

    Occasionally Ovid - Helen Ainsworth

    Bidgood, J., 11 May 2013, In: Animations Online.

    Research output: Contribution to journalBook/Film/Article review

  18. Published

    Occidental (Sex) Tourists: Michael Gurr's Sex Diary of an Infidel

    Gilbert, H., 1994, In: Australasian Drama Studies. 25, p. 177-188

    Research output: Contribution to journalArticlepeer-review

  19. Forthcoming

    Oedipus: the chronotope

    Wiles, D., 2011, (Accepted/In press) Close Relations: the Spaces of Greek and Roman Theatre. Griffiths, J. & Monaghan, P. (eds.). Cambridge: Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. Published

    Of an Apocalyptic Tone Recently Adopted in Theatre: British Drama, Violence and Writing

    Rebellato, D., 23 Jun 2017, In: Sillages Critiques. 22

    Research output: Contribution to journalArticlepeer-review

  21. Published

    On Amateurs: An Introduction and a Manifesto

    Gilbert, D., Hawley, J., Nicholson, H. & Worth, L., 30 Apr 2020, In: Performance Research. 25, 1, p. 2-9 8 p.

    Research output: Contribution to journalArticlepeer-review

  22. Published

    On Churchill's Influences

    Rebellato, D., 2010, Cambridge Companion to Caryl Churchill. Aston, E. & Diamond, E. (eds.). Cambridge: Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published

    On Disability: Creative Tensions in Applied Theatre

    Conroy, C. (ed.), Feb 2009, In: Research in Drama Education. 14, 1, 163 p.

    Research output: Contribution to journalSpecial issuepeer-review

  24. Published

    On Edward Bond’s Dramaturgy of Crisis in The Chair Plays: The Dystopian Imagination and the Imagination in Dystopia

    Chen, C-C., 2016, In: Platform. 10, 2, p. 32-50 19 p.

    Research output: Contribution to journalArticlepeer-review

  25. Published

    On Show: Truth and Reconciliation in Canada

    Gilbert, H., Mar 2018, The Social Work of Narrative: Human Rights and the Cultural Imaginary. Griffiths, G. & Mead, P. (eds.). Hannover: Ibidem-Verlag, p. 243-262 20 p. (Studies in World Literature; vol. 4).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Published

    On Text and Dance: New Questions and New Forms

    Worth, L., 10 Dec 2009, The Cambridge Companion to Caryl Churchill. Alston, E. & Diamond, E. (eds.). Cambridge: Cambridge University Press, p. 71-87 17 p. (Cambridge Companions to Literature).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Published

    On the Border as Theatrical Space: appearance, dis-location and the production of the refugee

    Nield, S., 2006, Contemporary Theatres in Europe. Kelleher, J. & Ridout, N. (eds.). Routledge, p. 61-72

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. Published

    On the Edge: The Plays of Susan Glaspell

    Dymkowski, C., 1988, In: Modern Drama. 31, 1, p. 91-105

    Research output: Contribution to journalArticlepeer-review

  29. Published

    On the Injunction 'Enjoy'

    Alston, A., Aug 2013, In: Platform. 7, 2, p. 71-73

    Research output: Contribution to journalArticlepeer-review

  30. Published

    On the Origin of a Supervillain: The Neo-Victorian Reinvention of Mister Sinister

    Bullen, D., 2017, Neo-Victorian Villains : Adaptations and Transformations in Popular Culture. Poore, B. (ed.). Rodopi B.V., p. 180-196 17 p. (Neo-Victorian Series; vol. 6).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  31. Published

    On the origin of the Komedie Stamboel: popular culture, colonial society, and the Parsi theatre movement

    Cohen, M., 2001, In: Bijdragen tot de Taal-, Land- en Volkenkunde. 157, 2, p. 313-357

    Research output: Contribution to journalArticlepeer-review

  32. Published

    Only joking? The relationship between the clown and percussion in Jingju

    Thorpe, A., 2005, In: Asian Theatre Journal. 22, 2, p. 269-292 23 p.

    Research output: Contribution to journalArticlepeer-review

  33. E-pub ahead of print

    Opening Borders, Closing Nations: How ‘Generation Nothing’ Stages Polish Migration

    Lease, B., 5 Mar 2014, (E-pub ahead of print) In: Contemporary Theatre Review. 24, 1, p. 6-20 15 p.

    Research output: Contribution to journalArticlepeer-review

  34. Published

    Opera Indigene: Re/presenting First Nations and Indigenous Culture

    Karantonis, P. (ed.) & Robinson, D. (ed.), 2011, Ashgate. 357 p. (Ashgate Interdisciplinary Studies in Opera; no. 1)

    Research output: Book/ReportAnthology

  35. Published

    Orlando

    Mitchell, K., McLeish, L. & Woolf, V., 5 Sep 2019

    Research output: Non-textual formPerformance

  36. Published

    Othering the Mestizo: Alterity and Indigenous Politics in Otavalo, Ecuador

    Huarcaya, S. M., 2010, In: Latin American and Caribbean Ethnic Studies. 5, 3

    Research output: Contribution to journalArticlepeer-review

  37. Published

    Ottomar Anschütz’s Animal Photography through the Lens of Darwinism

    Mlodzianowski, S., Moravec, L. (Translator) & Lewandowski, H. (Translator), 14 Jun 2021, In: Photography and Culture. 14, 2, p. 159-172

    Research output: Contribution to journalArticlepeer-review

  38. Unpublished

    OUT OF LINE: Performing Drag and Archive in Settler Culture

    Weiner, R., 2019, (Unpublished)

    Research output: ThesisDoctoral Thesis

  39. Published

    Out of Sync: Curation, participation and reactional pathways

    Guy, G., 15 Sep 2011, In: Performance Research. 16, 3, p. 89-93 5 p.

    Research output: Contribution to journalArticlepeer-review

  40. Submitted

    Out of the Exhibition: Installation, Activation, Invigilation

    Gilbert, H. & Phillipson, J. D., 2019, (Submitted) In the Balance: Indigeneity, Performance, Globalization. Gilbert, H., Raheja, M. & Phillipson, J. D. (eds.). 2nd ed. Liverpool: Liverpool University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. Published

    Outing Archives, Archives Outing: Special Issue of CTR

    Lease, B. (ed.), Blanco Borelli, M. (ed.) & Mitra, R. (ed.), 2021, 1-2 ed. Contemporary Theatre Review Online.

    Research output: Book/ReportAnthology

  42. E-pub ahead of print

    Outing Pleasure and Indulgence: Indubala’s Scrapbook and the Red-Light Dances of Calcutta

    Purkayastha, P., 19 May 2021, (E-pub ahead of print) In: Contemporary Theatre Review. 31, 1-2, p. 14-33 20 p.

    Research output: Contribution to journalArticlepeer-review

  43. Published

    Pantomime and the Experienced Young Fellow

    Bratton, J., 11 Aug 2010, Victorian Pantomime. Davis, JI. (ed.). Cambridge: Cambridge University Press, p. 87-100 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  44. Published

    Paradigms of Movement Composition

    Skanberg Dahlstedt, A., 4 Dec 2014, In: The International Journal of Screendance . 4, 4, p. 130 -146 16 p.

    Research output: Contribution to journalArticlepeer-review

  45. E-pub ahead of print

    Paradoxes of Acting: Bakhtin and Stanislavsky

    McCaw, D., 6 Feb 2014, (E-pub ahead of print) Cambridge: Cambridge Uni Press, p. 29 - 39, 11 p.

    Research output: Working paper

  46. Published

    Partial Histories: A Reappraisal of Colley Cibber

    McGirr, E., 15 Jun 2016, 1 ed. Palgrave Macmillan. 210 p.

    Research output: Book/ReportBook

  47. Published

    Past imperfect, present tense: on history as discarded practice

    Nield, S., 2014, Misperformance: essays in shifting perspectives. Blazevic, M. & Cale Feldman, L. (eds.). Llubljana: MASKA Insititute of Publishing, Production and Education, p. 69-78 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  48. Published

    Paweł Demirski and Dorota Masłowska: Painful pasts, transformative presents

    Lease, B., 2020, Contemporary European Playwrights. Delgado, M., Lease, B. & Rebellato, D. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  49. Published

    Peaceful Surface and Monstrous Depths: Barbara Pentland and Dorothy Livesay’s The Lake

    Robinson, D., 2011, Opera Indigene: Re/presenting First Nations and Indigenous Culture. Karantonis, P. & Robinson, D. (eds.). Ashgate, p. 245-57 16 p. (Interdisciplinary Studies in Opera; no. 1).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  50. Published

    Penny Saunders: A landscape of possibilities

    Crawley, G., 2007, Collaborators: UK Design for Performance 2003-2007 . Burnett, K. & Allen, K. (eds.). Society of British Theatre Designers

    Research output: Chapter in Book/Report/Conference proceedingChapter

  51. Published
  52. Published

    Performance and Cosmopolitics: Cross-Cultural Transactions in Australasia

    Gilbert, H. & Lo, J., 2007, London: Palgrave Macmillan. 246 p.

    Research output: Book/ReportBook

  53. Published

    Performance and Media: Taxonomies for a Changing Field

    Bay-Cheng, S., Parker-Starbuck, J. & Saltz, D., Oct 2015, University of Michigan Press. 192 p.

    Research output: Book/ReportBook

  54. Forthcoming

    Performance and Migration

    Cox, E. (ed.), Ring Petersen, A., Rae, P., Murphy, J., Robertson, J., Adin, M., Suares, S. & Peterson, R., Sep 2021, (Accepted/In press) Routledge. 118 p. (4x45)

    Research output: Book/ReportBook

  55. Published

    Performance and Participation: Practices, Audiences, Politics

    Harpin, A. (ed.) & Nicholson, H. (ed.), 7 Oct 2016, London: Palgrave Macmillan. 256 p.

    Research output: Book/ReportBook

  56. Published

    Performance and the Global City edited by D.J. Hopkins and Kim Solga

    Poll, M., Dec 2014, In: Performance Research. 19.5, p. 112-114 3 p.

    Research output: Contribution to journalBook/Film/Article review

  57. Published

    Performance Anxiety: The Relationship Between Social and Aesthetic Drama in Medicine and Health

    Brodzinski, E., 2014, Medicine, Health and the Arts: Approaches to Medical Humanities. Bates, V., Bleakley, A. & Goodman, S. (eds.). London: Routledge, p. 165-185 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  58. Published

    Performance Editions, Editing and Editors

    Schafer, E., 2006, In: Shakespeare Survey. 59, p. 198-212

    Research output: Contribution to journalArticlepeer-review

  59. Published

    Performance Practices and the Conflict of Memory in Colombia: Working Towards a ‘Decolonial’ Digital Archive and Epistemological Justice

    Blanco Borelli, M. & Sorzano, O. L., 19 May 2021, In: Contemporary Theatre Review. 31, 1-2, p. 172-190 19 p.

    Research output: Contribution to journalArticlepeer-review

  60. Published

    Performance, Experience, Transformation: What do Spectators Value in Theatre?

    Megson, C. & Reinelt, J., 1 May 2016, In: Journal of Contemporary Drama in English. 4, 1, p. 227-242 16 p.

    Research output: Contribution to journalArticlepeer-review

  61. Published

    Performative Acts: Drama Education and Gender.

    Nicholson, H., 1995, In: The NADIE Journal Australia. 19, 1, p. 27-37

    Research output: Contribution to journalArticlepeer-review

  62. Published

    Performative Reintegration: Applied Theatre for Conflict Transformation in Contemporary Colombia

    Estrada-Fuentes, M., Oct 2018, In: Theatre Research International. 43, 3, p. 291-304 14 p.

    Research output: Contribution to journalArticlepeer-review

  63. Published

    Performer training: researching practice in the theatre laboratory

    Worth, L., Apr 2011, Research Methods in Theatre and Performance. Kershaw, B. & Nicholson, H. (eds.). Edinburgh University Press, (Research Methods for the Arts and Humanities).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  64. Published

    Performing animal, becoming-animal: animal acts

    Williams, D., 2001, Body Show/s: Australian Viewings of Live Performance. Tait, P. (ed.). Amsterdam/Atlanta GA: Editions Rodopi BV, p. 44-59 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  65. Published

    Performing Animality: animals in performance practice

    Parker-Starbuck, J., Jan 2015, 1 ed. Palgrave Macmillan. 18 p.

    Research output: Book/ReportBook

  66. Published

    Performing Bogotá: Memories of an Urban Bombing

    Estrada Fuentes, M., 2014, Performing Cities. Whybrow, N. (ed.). Palgrave Macmillan, p. 233-244

    Research output: Chapter in Book/Report/Conference proceedingChapter

  67. Published

    Performing China on the London Stage: Chinese Opera and Global Power, 1759–2008

    Thorpe, A., Oct 2016, 1 ed. Houndmills: Palgrave Macmillan. 263 p.

    Research output: Book/ReportBook

  68. Published

    Performing Herself: AutoBiography & Fanny Kelly's Dramatic Recollections

    Bush-Bailey, G., 2011, Manchester: Manchester University Press.

    Research output: Book/ReportBook

  69. Published

    Performing HerSelf: Practice-based Research and Women’s Theatre History

    Bush-Bailey, G., 2008, Acting on Stage - Acting on Film [O ithopios, anamesa sti skini kai stin othoni]. Adamou, C. (ed.). Athens, OH, and Leiden: Kastanioti

    Research output: Chapter in Book/Report/Conference proceedingChapter

  70. Published

    Performing Hybridity in Post-colonial Monodrama

    Gilbert, H. & Lo, J., 1997, In: Journal of Commonwealth Literature. 31, 1, p. 5-19

    Research output: Contribution to journalArticlepeer-review

  71. Submitted
  72. Published

    Performing Identity Politics: South Asian Dance in Britain

    Purkayastha, P., 2010, In: Diálogos com a Arte II. p. 71-84

    Research output: Contribution to journalArticle

  73. Unpublished
  74. Published

    Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism

    Cox, E., 1 May 2015, Anthem Press. 202 p. (Anthem Australian Humanities Research Series)

    Research output: Book/ReportBook

  75. Published

    Performing Otherness: Java and Bali on International Stages, 1905-1952

    Cohen, M. I., 2010, Basingstoke: Palgrave Macmillan. 285 p.

    Research output: Book/ReportBook

  76. Published

    'Performing Palermo: protests against forgetting'

    Williams, D., 20 Aug 2014, Performing Cities. Whybrow, N. (ed.). Basingstoke: Palgrave Macmillan, p. 21-38 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  77. Published

    Performing Sites: Illusion and authenticity in the spatial stories of the guided tour

    Overend, D., 2012, In: Scandinavian Journal of Tourism and Hospitality. 12, 1, p. 44-54

    Research output: Contribution to journalArticlepeer-review

  78. Published

    Performing Statelessness in Europe

    Cox, E., 12 Nov 2020, In: Journal of Contemporary Drama in English. 8, 2, p. 318-322 5 p.

    Research output: Contribution to journalBook/Film/Article review

  79. Unpublished
  80. Published

    Performing the "Arab"

    El Khoury, T., 2016, In: Kohl: a Journal for Body and Gender Research. 2, 2, p. 163-167 5 p.

    Research output: Contribution to journalArticle

  81. Published

    Performing the Anthropocene: Marrugeku's Cut the Sky

    Gilbert, H., 2020, Ecocritical Concerns and the Australian Continent. Neumeier, B. & Tiffin, H. (eds.). New York & London: Lexington Books, p. 219–33 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  82. Unpublished

    Performing the Feminisms of Euripides' The Bacchae in Britain

    Bullen, D., 2019, (Unpublished)

    Research output: ThesisDoctoral Thesis

  83. Published

    Performing Wayang Internationally

    Cohen, M., 2015, In: Puppetry International. 2015, 38

    Research output: Contribution to journalArticlepeer-review

  84. Published

    Peter Brook

    Williams, D. & Kennedy, D. (ed.), 2010, The Oxford Companion to Theatre and Performance. Oxford: Oxford University Press, p. 84-6 3 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  85. Published

    Peter Brook and the Mahabharata: Critical Perspectives

    Williams, D. (ed.), 1991, London and New York: Routledge.

    Research output: Book/ReportBook

  86. Published

    Peter Brook: A Theatrical Casebook

    Williams, D. (ed.), 1992, London: Methuen.

    Research output: Book/ReportBook

  87. Published

    Peter Brook: transparency and the invisible network

    Williams, D. & Marshall, L., 2000, Twentieth Century Actor Training. Hodge, A. (ed.). London and New York: Routledge, p. 174-190 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  88. Published

    Philip Ridley

    Rebellato, D., 2011, The Methuen Drama Guide to Contemporary British Playwrights. London: Methuen Drama, p. 425-444

    Research output: Chapter in Book/Report/Conference proceedingChapter

  89. Unpublished

    Pichet Klunchun Dance Company in Contemporary Thailand and Global Stage

    Tawalwongsri, S., 2015, (Unpublished)

    Research output: ThesisMaster's Thesis

  90. E-pub ahead of print

    Pig bodies and vegetative states: Diagnosing the symptoms of a culture of excess

    Parker-Starbuck, J., 31 Jul 2008, (E-pub ahead of print) In: Women & Performance: a journal of feminist theory. 18, 2, p. 133-151 19 p.

    Research output: Contribution to journalArticlepeer-review

  91. Published

    Pina Bausch: An Appreciation (1940–2009)

    Worth, L., 9 Dec 2009, In: Contemporary Theatre Review. 19, 4, p. 505-507 3 p.

    Research output: Contribution to journalArticlepeer-review

  92. Published

    Pinter's Memory Plays of the 1970s

    Megson, C., 2014, The Theatre of Harold Pinter. Taylor-Batty, M. (ed.). London: Methuen, p. 215-231

    Research output: Chapter in Book/Report/Conference proceedingChapter

  93. Published

    Place et espace du mal dans Macbeth

    Wiles, D. & Laroque, F. (Translator), 1993, In: Nouvelle Revue du Seizième Siècle. 11, p. 55-70

    Research output: Contribution to journalArticlepeer-review

  94. Unpublished

    Place Imaging in South African Dance-Musical Theatre

    Moyo, A., 25 May 2012, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  95. Published

    'Playgrounds that would never happen now because they’d be far too dangerous': Risk, Childhood Development and Radical Sites of Theatre Practice

    Peterson, G., 2011, In: Research in Drama Education. 16, 3

    Research output: Contribution to journalArticlepeer-review

  96. Published

    Playing Australia: Australian theatre and the International Stage

    Schafer, E. & Bradley Smith, S. (ed.), 2003, Unkown Publisher.

    Research output: Book/ReportBook

  97. Published

    Playing with shadows in the dark: Shadow theatre and performance in flux

    Cohen, M., 27 Jul 2017, Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. Alston, A. & Welton, M. (eds.). 1st ed. Methuen Drama

    Research output: Chapter in Book/Report/Conference proceedingChapter

  98. Published

    Plumbbob: eleven songs for the hydrogen jukebox

    Williams, D., 2010

    Research output: Other contribution

  99. Published

    'Pocketsize' (with choreographer Emilyn Claid) - performer, writer

    Williams, D. & Claid, E., 2005

    Research output: Other contribution

  100. Published

    Pod powierzchnia swiata, poza historia: Ku kontrhistorii odpadow i ziemi jalowej

    Williams, D., Sep 2011, In: Przestrzenie Teorii (Poland). 15, p. 259-281 23 p.

    Research output: Contribution to journalArticlepeer-review

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