Former organisational unit. 31/12/11. Taken over by Contemporary Theatre

  1. Chapter › Research
  2. Published

    '"Haply for I am Black": Shifting Race and Gender Dynamics in Talawa’s Othello'

    Goddard, L., 2010, Shakespeare in Stages: New Theatre Histories. Carson, C. & Dymkowski, C. (eds.). Cambridge: Cambridge University Press, p. 248-263

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Published

    '"Side Doors and Service Elevators": Racial Constraints for Actresses of Colour'

    Goddard, L., 2007, The Cambridge Companion to the Actress. Gale, M. B. & Stokes, J. (eds.). Cambridge: Cambridge University Press, p. 215-32

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Published

    "Theatre and Anti-Theatre": David Hare and Public Speaking

    Megson, C. & Rebellato, D., 2007, The Cambridge Companion to David Hare. Boon, R. (ed.). Cambridge: Cambridge University Press, p. 236-249

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    '(Black) Masculinity, Race, and Nation in Roy Williams' Sports Plays'

    Goddard, L., 2014, Modern and Contemporary Black British Drama. Brewer, M., Goddard, L. & Osborne, D. (eds.). Palgrave

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    ‘Performing Gender, Race and Slave Narratives in Mojisola Adebayo’s Moj of the Antarctic: An African Odyssey.’

    Goddard, L., 2007, Theater and Slavery: Ghosts at the Crossroads. Walling, M. (ed.). Middlesex: Border Crossings, p. 120-23

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Published

    Acting In/Action: Staging Human Rights in debbie tucker green's Royal Court Plays

    Goddard, L. & Fragkou, M., 2013, Contemporary British Theatre: Breaking New Ground. Angelaki, V. (ed.). Basingstoke: Palgrave, p. 145-66

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Published

    'Because It Feels Fucking Amazing': Recent British Drama and Bodily Mutilation

    Rebellato, D., 2008, Cool Britannia? British Political Drama in the 1990s. D'Monté, R. & Saunders, G. (eds.). Basingstoke: Palgrave Macmillan, p. 192-207

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Published

    Creativity and Drama Education: Education for Globalisation?

    Nicholson, H., 2006, Drama and Social Intervention. Somers, J. & Balfour, M. (eds.). Toronto: Captus Press, p. 107-117 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    Cultural Diversity

    Goddard, L., 14 Nov 2014, Performance Studies: Key Words, Concepts and Theories. Reynolds, B. (ed.). Basingstoke: Palgrave

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Published

    David Edgar

    Megson, C., 2003, Continuum Encyclopaedia of British Literature. Serafin, S. & Grosvenor Myer, V. (eds.). New York and London: Continuum Group, p. 446-447

    Research output: Chapter in Book/Report/Conference proceedingChapter

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