Former organisational unit. 31/12/11. Taken over by Contemporary Theatre

  1. Published

    "And I was struck still by time": Contemporary British Theatre and the Metaphysical Imagination

    Megson, C., 2013, Contemporary British Theatre: Breaking New Ground. Angelaki, V. (ed.). Basingstoke: Palgrave Macmillan, p. 32-56

    Research output: Chapter in Book/Report/Conference proceedingChapter

  2. Published

    '"Haply for I am Black": Shifting Race and Gender Dynamics in Talawa’s Othello'

    Goddard, L., 2010, Shakespeare in Stages: New Theatre Histories. Carson, C. & Dymkowski, C. (eds.). Cambridge: Cambridge University Press, p. 248-263

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Published

    "No Theatre Guild Attraction Are We": Kiss Me, Kate and the Politics of the Integrated Musical

    Rebellato, D., 2009, In: Contemporary Theatre Review. 19, 1, p. 61-73

    Research output: Contribution to journalArticlepeer-review

  4. Published

    '"Side Doors and Service Elevators": Racial Constraints for Actresses of Colour'

    Goddard, L., 2007, The Cambridge Companion to the Actress. Gale, M. B. & Stokes, J. (eds.). Cambridge: Cambridge University Press, p. 215-32

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    "Theatre and Anti-Theatre": David Hare and Public Speaking

    Megson, C. & Rebellato, D., 2007, The Cambridge Companion to David Hare. Boon, R. (ed.). Cambridge: Cambridge University Press, p. 236-249

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    '(Black) Masculinity, Race, and Nation in Roy Williams' Sports Plays'

    Goddard, L., 2014, Modern and Contemporary Black British Drama. Brewer, M., Goddard, L. & Osborne, D. (eds.). Palgrave

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Published

    ‘Performing Gender, Race and Slave Narratives in Mojisola Adebayo’s Moj of the Antarctic: An African Odyssey.’

    Goddard, L., 2007, Theater and Slavery: Ghosts at the Crossroads. Walling, M. (ed.). Middlesex: Border Crossings, p. 120-23

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Published

    Staging Black Feminisms: Identity, Politics, Performance

    Goddard, L., 1 Mar 2007, Basingstoke: Palgrave. 229 p.

    Research output: Book/ReportBook

  9. Published

    The Cut and the Critics: Ravenhill's Ethical Politics

    Rebellato, D., 2006.

    Research output: Contribution to conferencePaper

  10. Published

    The Methuen Drama Book of Plays by Black British Writers

    Goddard, L. (ed.), 25 Feb 2011, London: Methuen.

    Research output: Book/ReportBook

  11. Published

    1956 and All That: The Making of Modern British Drama

    Rebellato, D., 1999, London: Routledge.

    Research output: Book/ReportBook

  12. Published

    Acting In/Action: Staging Human Rights in debbie tucker green's Royal Court Plays

    Goddard, L. & Fragkou, M., 2013, Contemporary British Theatre: Breaking New Ground. Angelaki, V. (ed.). Basingstoke: Palgrave, p. 145-66

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Published

    Acting, Creativity and Justice: An analysis of Edward Bond’s The Children

    Nicholson, H., 2003, In: Research in Drama Education. 8, 1, p. 9-23

    Research output: Contribution to journalArticlepeer-review

  14. Published

    Active Differences: Disability and identity beyond postmodernism

    Conroy, C., 2008, In: Contemporary Theatre Review. 18, 3, p. 341-354

    Research output: Contribution to journalArticlepeer-review

  15. Published

    Aesthetic Values: Drama Education and the Politics of Difference.

    Nicholson, H., 1999, In: The NADIE Journal Australia. 23, 2, p. 81-90

    Research output: Contribution to journalArticlepeer-review

  16. Published

    After the Dance

    Rebellato, D., 2010, London: Nick Hern Books.

    Research output: Book/ReportScholarly edition

  17. Published

    Applied Drama: The Gift of Theatre

    Nicholson, H., 2005, Basingstoke: Palgrave. 197 p.

    Research output: Book/ReportBook

  18. Published

    B is for Booing

    Rebellato, D., Mar 2013, In: Contemporary Theatre Review. 18, 1, p. 11-15

    Research output: Contribution to journalArticlepeer-review

  19. Published

    'Backpages: debbie tucker green'

    Goddard, L., 2005, In: Contemporary Theatre Review. 15, 3, p. 376-81

    Research output: Contribution to journalArticle

  20. Published
  21. Published

    'Because It Feels Fucking Amazing': Recent British Drama and Bodily Mutilation

    Rebellato, D., 2008, Cool Britannia? British Political Drama in the 1990s. D'Monté, R. & Saunders, G. (eds.). Basingstoke: Palgrave Macmillan, p. 192-207

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Published

    Berlin/Wall

    Megson, C., 2009, In: Contemporary Theatre Review. 19, 4, p. 515-517

    Research output: Contribution to journalArticlepeer-review

  23. Published

    Book Review. Dimple Godiwala, Alternatives Within the Mainstream: British Black and Asian Theatres

    Goddard, L., 2006, In: Contemporary Theatre Review. 16, 4, p. 513-14

    Research output: Contribution to journalBook/Film/Article review

  24. Published

    Book Review. Elaine Aston, Feminist Views on the English Stage 1990-2000

    Goddard, L., 2004, In: Contemporary Theatre Review. 14, 4, p. 94-5

    Research output: Contribution to journalBook/Film/Article review

  25. Published

    Book Review. Errol G Hill and James V Hatch, A History of African American Theatre,

    Goddard, L., 2005, In: New Theatre Quarterly. 21, 2, p. 197

    Research output: Contribution to journalBook/Film/Article review

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