Abstract
The sequence began life as a series of titles taken from an exhibition of work by Ewald Matare in Bad Homburg. Ewald had produced a series of variations on a simple motif often reducing cows to geometrical shapes. The sequence is what Eric Mottram called a 'locatory action', but with affiliations to procedural poetry and to what Adrian Clarke has called 'London neo-formalism'. It is an exploration of a non-urban poetics through attention to pre-historic land-use and its shaping of landscape, to the prehistoric origins of art-making, to the basic elements of art practice, and through a deliberate openness to all the senses.
| Original language | English |
|---|---|
| Type | Poetry sequence |
| Media of output | |
| Publisher | Long Poem Magazine |
| Number of pages | 4 |
| Place of Publication | London |
| Volume | 25 |
| Publication status | Published - 20 May 2021 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
-
SDG 15 Life on Land
Keywords
- poetry
- politics
- geography
- landscape
- land-use
- art practice
- perception
- labour
- community
- austerity
- relations
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