Abstract
The article takes the question of how poetry can react to the fact that language is part of production under semio-capitalism. It does this through the example of Ben Lerner's poetry. It uses Berardi, Virno, Hayles, Galloway and Agamben to construct it’s argument on the kind of glitch-like ‘dark shadow’ in which the “unsayable is present as remnant”.
Original language | English |
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Number of pages | 13 |
Journal | A Peer Review Journal About |
Publication status | Published - 2016 |
Keywords
- codec
- Ben Lerner
- glitch
- poetics
- glitch poetics
- media
- poetry