Abstract
This article presents a dialogue between Christie Carson and Juan F. Cerda discussing the implications of online publication for young scholars outside the UK writing about Shakespeare as performed in other languages than English.
| Original language | English |
|---|---|
| Pages (from-to) | 141-158 |
| Number of pages | 18 |
| Journal | Coup de Theatre |
| Issue number | 31 |
| Publication status | Published - 2017 |
Keywords
- Shakespeare subversion hierarchy
- scholarly publishing