Abstract
This article examines how Radix’s Obstructions performance, BEUTFL CARATS, reiterated the strength and ingenuity defining Vancouver’s theatre community by not only responding to a set of obstacles created by the local arts organization, Progress Lab, but also by initiating a discussion that acknowledged the collaborative role of spectators and critics.
Original language | English |
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Volume | 155 |
Specialist publication | Canadian Theatre Review |
Publisher | University of Toronto Press |
Publication status | Published - Jul 2013 |
Keywords
- Dance and Movement Dramaturgy