‘Not intended to be perfect representations’: Photograph and Narrative in Maggie Nelson’s The Red Parts (2007) and James Ellroy’s My Dark Places (1996)

P Bussey-Chamberlain

doi:10.3366/cfs.2023.0099

‘Not intended to be perfect representations’: Photograph and Narrative in Maggie Nelson’s The Red Parts (2007) and James Ellroy’s My Dark Places (1996)

P Bussey-Chamberlain

Department of English

Research output: Contribution to journal › Article › peer-review

Original language	English
Pages (from-to)	211-226
Number of pages	16
Journal	Crime Fiction Studies
Volume	4
Issue number	2
DOIs	https://doi.org/10.3366/cfs.2023.0099
Publication status	E-pub ahead of print - Aug 2023

Access to Document

10.3366/cfs.2023.0099

Cite this

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title = "{\textquoteleft}Not intended to be perfect representations{\textquoteright}: Photograph and Narrative in Maggie Nelson{\textquoteright}s The Red Parts (2007) and James Ellroy{\textquoteright}s My Dark Places (1996)",

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