Noli me tangere: Memory, Embodiment and Affect in Silvio Caiozzi's Fernando ha vuelto (2005)

Research output: Contribution to journalArticlepeer-review

Abstract

Dossier: New Chilean Cinema and the Politics of Memory
Original languageEnglish
Pages (from-to)37-48
Number of pages12
JournalJournal of Latin American Cultural Studies: Travesia
Volume21
Issue number1
DOIs
Publication statusPublished - Mar 2012

Cite this