Abstract
This paper considers the critically acclaimed debut film of Courtney Hunt entitled Frozen River (2008). Unlike many previous Hollywood 'border films', the focus of the film is on a frozen tributary of the St Lawrence and a border town in New York State and a Mohawk Indian reservation. By following the lives of two women, the paper reflects on how the film addresses multiple borders, sites of dispossession and a series of sovereign spaces along and across the frozen river. In a dramatic and compelling fashion, the narrative arc of the film serves as a powerful reminder of how security and insecurity and made and re-made in everyday life. Political geographers and border scholars could learn a great deal from examining closely the craft of the film maker.
| Original language | English |
|---|---|
| Pages (from-to) | 560-583 |
| Journal | Geopolitics |
| Volume | 18 |
| Issue number | 3 |
| Early online date | 14 Jun 2013 |
| DOIs | |
| Publication status | Published - 1 Oct 2013 |
Keywords
- geopolitics
- borders
- sovereignty
- security
- dispossession