Abstract
This paper considers the critically acclaimed debut film of Courtney Hunt entitled Frozen River (2008). Unlike many previous Hollywood 'border films', the focus of the film is on a frozen tributary of the St Lawrence and a border town in New York State and a Mohawk Indian reservation. By following the lives of two women, the paper reflects on how the film addresses multiple borders, sites of dispossession and a series of sovereign spaces along and across the frozen river. In a dramatic and compelling fashion, the narrative arc of the film serves as a powerful reminder of how security and insecurity and made and re-made in everyday life. Political geographers and border scholars could learn a great deal from examining closely the craft of the film maker.
Original language | English |
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Pages (from-to) | 560-583 |
Journal | Geopolitics |
Volume | 18 |
Issue number | 3 |
Early online date | 14 Jun 2013 |
DOIs | |
Publication status | Published - 1 Oct 2013 |
Keywords
- geopolitics
- borders
- sovereignty
- security
- dispossession