@inproceedings{45925fb8bbff42a79f7c501161628f35,
title = "Gr{\'e}try et les connaissances modernes",
abstract = "Five areas of research concerning Gr{\'e}try are discussed, which each depend on new forms of technology or new disciplinary evaluations, and each give rise to specific case-studies: (1) digitised newspapers, specifically the Burney Collection Newspapers (the recognition of Gr{\'e}try's importance for London); (2) music as a focus for historians of culture and society (the meaning of Gr{\'e}try's music both during and after his own lifetime); (3) newly edited documents (the significance of Gr{\'e}try's historicising use of local colour for Berlioz); (4) newly compiled bibliographical sweeps of past literature ('lost' articles from 1925 and 1930, the second dealing with Gr{\'e}try's reception in Poland); (5) recent opera recordings, whose availability may become a major tool in re-evaluation ('C{\'e}phale et Procris', conducted by Guy Van Waas). ",
keywords = "Gretry, research technologies, opera, Li{\`e}ge, Paris",
author = "David Charlton",
note = "Article contains two tables, summarising research results relating to sections (4) and (5) of the text. The synoptic nature of the article was designed for delivery as the opening address of this conference in the Salle des Professeurs, Universit{\'e} de Li{\`e}ge.; Gr{\'e}try, un musicien dans l'Europe des Lumi{\`e}res ; Conference date: 24-09-2012 Through 25-09-2012",
year = "2013",
language = "French",
volume = "32",
series = "Art & Fact",
publisher = "Universit{\'e} de Li{\`e}ge",
pages = "42--8",
editor = "Fran{\c c}oise Tilkin",
booktitle = "Art & Fact",
}