Genre and Form in French Opera

David Charlton

Genre and Form in French Opera

David Charlton

Department of Music

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Abstract

Offers a complete thematic survey of the conventions used in all types of French opera in the eighteenth century, and includes tables to build up a picture of important repertory works. Dramatic categories (e.g. 'Tragedy', Pastorals') are treated separately from constituent elements (e.g. 'Solo vocal forms') but the latter are cross-referenced all through.

Original language	English
Title of host publication	The Cambridge Companion to Eighteenth-Century Opera
Editors	Anthony R. DelDonna, Pierpaolo Polzonetti
Place of Publication	Cambridge
Publisher	Cambridge University Press
Pages	155-83
Number of pages	29
ISBN (Print)	978-0-521-87358, 978-0-521-69538
Publication status	Published - 2009

Keywords

France, opera, opéra-comique, 18th century, formal conventions

Cite this

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title = "Genre and Form in French Opera",

abstract = "Offers a complete thematic survey of the conventions used in all types of French opera in the eighteenth century, and includes tables to build up a picture of important repertory works. Dramatic categories (e.g. 'Tragedy', Pastorals') are treated separately from constituent elements (e.g. 'Solo vocal forms') but the latter are cross-referenced all through. ",

keywords = "France, opera, op{\'e}ra-comique, 18th century, formal conventions",

author = "David Charlton",

note = "Includes 3 music examples showing recitative styles and 9 tables defining aspects of repertory classification and formal classification.",

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publisher = "Cambridge University Press",

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