Curation as a Form of Artistic Practice: Context as a new work through UK-based Forest Fringe

Deborah Pearson

Curation as a Form of Artistic Practice: Context as a new work through UK-based Forest Fringe

Deborah Pearson

Royal Holloway, University of London

Research output: Contribution to journal › Article › peer-review

Abstract

This article is an abridged version of a presentation given by Deborah Pearson at the International Community of Performing Arts Curators symposium on curation, hosted by l’Université de Québec à Montréal in May 2014. Pearson, a live artist and founding co-director of the UK artist-led collective Forest Fringe, questions whether or not curation for Forest Fringe is an artistic act or can be considered a facet of her artistic practice.

Original language	English
Pages (from-to)	80-81
Number of pages	2
Journal	Canadian Theatre Review
Volume	162
Publication status	Published - Apr 2015

Keywords

Curation
Forest Fringe
Artist-led
Edinburgh Festival

Access to Document

https://muse.jhu.edu/article/579868/summaryLicence: Not specified

Cite this

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AB - This article is an abridged version of a presentation given by Deborah Pearson at the International Community of Performing Arts Curators symposium on curation, hosted by l’Université de Québec à Montréal in May 2014. Pearson, a live artist and founding co-director of the UK artist-led collective Forest Fringe, questions whether or not curation for Forest Fringe is an artistic act or can be considered a facet of her artistic practice.

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