Between Theory and Practice: Aspects of Pitch Organization in North Italian Ensemble Instrumental Music, ca. 1610-1670

Clemence Destribois

Between Theory and Practice: Aspects of Pitch Organization in North Italian Ensemble Instrumental Music, ca. 1610-1670

Clemence Destribois

Department of Music

Research output: Thesis › Doctoral Thesis

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Original language	English
Qualification	Ph.D.
Awarding Institution	Royal Holloway, University of London
Supervisors/Advisors	Rose, Stephen, Supervisor
Thesis sponsors	Crosslands Scholarship
Award date	1 May 2017
Publication status	Unpublished - 2017

Keywords

Penna
Bononcini
Banchieri
Diletskii
Bianciardi
Chafe
Stein
Dahlhaus
Modulation
Cadence
Rhetoric
Schemata
Music Theory
Seventeenth century
Hexachord

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2017destriboiscphdOther version, 21.1 MB

Cite this

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title = "Between Theory and Practice: Aspects of Pitch Organization in North Italian Ensemble Instrumental Music, ca. 1610-1670",

keywords = "Penna, Bononcini, Banchieri, Diletskii, Bianciardi, Chafe, Stein, Dahlhaus, Modulation, Cadence, Rhetoric, Schemata, Music Theory, Seventeenth century, Hexachord",

author = "Clemence Destribois",

year = "2017",

language = "English",

school = "Royal Holloway, University of London",

}

TY - BOOK

T1 - Between Theory and Practice: Aspects of Pitch Organization in North Italian Ensemble Instrumental Music, ca. 1610-1670

AU - Destribois, Clemence

PY - 2017

Y1 - 2017

KW - Penna

KW - Bononcini

KW - Banchieri

KW - Diletskii

KW - Bianciardi

KW - Chafe

KW - Stein

KW - Dahlhaus

KW - Modulation

KW - Cadence

KW - Rhetoric

KW - Schemata

KW - Music Theory

KW - Seventeenth century

KW - Hexachord

M3 - Doctoral Thesis

ER -