Abstract
For one vocal performer, fixed media AV, motion-triggered electronics, remote-controlled lighting, vocal processing, and audience interaction
Bagworm draws on the affordances of the bagworm moth's lifecycle to present a folk horror narrative in operatic form. It asks how folk horror signifiers could shape opera, and how multisensory elements can make the work more immersive and accessible.
Designed for DIY experimental settings, the opera was first performed at The Talleyrand, and is now touring small (gig) venues and series, including the Peer Hat and Tod Quad. Demonstrably bringing opera to new audiences, the accompanying impact survey shows Bagworm is changing audience views on opera, and on the natural environment.
Bagworm draws on the affordances of the bagworm moth's lifecycle to present a folk horror narrative in operatic form. It asks how folk horror signifiers could shape opera, and how multisensory elements can make the work more immersive and accessible.
Designed for DIY experimental settings, the opera was first performed at The Talleyrand, and is now touring small (gig) venues and series, including the Peer Hat and Tod Quad. Demonstrably bringing opera to new audiences, the accompanying impact survey shows Bagworm is changing audience views on opera, and on the natural environment.
| Original language | English |
|---|---|
| Size | 30 minutes |
| Publication status | Published - 29 Jul 2025 |
Keywords
- Opera
- Multimedia
- Technology
- Environment
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