Abstract
Driven by a recurring urge to encounter strangers with her camera, the filmmaker begins to film her solitary Greek Cypriot neighbour Pete in the tower block in North London where they both live. Around the same time, her father in Denmark receives a cancer diagnosis requiring her to spend more time with him. As her father gradually slips back into the depression that made him absent when she was a teenager, she feels a need to document this transition. Her compulsion to enter into Pete’s life and to film him echoes with her desire for understanding her father’s experience of isolation and loneliness, as well as her own relationship to it. Filmed handheld and with an unwavering gaze, All These Summers asks questions about responsibility in life and in film whilst intimately confronting the complexities of the daughter-father and filmmaker-subject relationship.
| Original language | English |
|---|---|
| Type | Film |
| Media of output | Film |
| Publication status | Published - 2025 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 3 Good Health and Well-being
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