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The Early Plays of Robin Hood
Wiles, D., 1981, Woodbridge: D.S.Brewer.Research output: Book/Report › Book
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The mask in Greek tragedy
Wiles, D., 2004, In: Dioniso. 3, p. 206-213Research output: Contribution to journal › Article › peer-review
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A Short History of Western Performance Space
Wiles, D., 2003, Cambridge: Cambridge University Press.Research output: Book/Report › Book
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Sophoclean Diptychs modern translations of dramatic poetry
Wiles, D., 2005, In: Arion. 13, p. 9-26Research output: Contribution to journal › Article › peer-review
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Shakespeare's Clown: Actor and Text in the Elizabethan Playhouse
Wiles, D., 1987, Cambridge: Cambridge University Press.Research output: Book/Report › Book
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The Masks of Menander: Sign and Meaning in Greek and Roman Performance
Wiles, D., 1991, Cambridge: Cambridge University Press.Research output: Book/Report › Book
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The poetics of the mask in Old Comedy
Wiles, D., 2008, Performance, Iconography, Reception. Revermann, M. & Wilson, P. (eds.). Oxford: Oxford University Press, p. 374-392Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Greek theatre and the legitimation of slavery
Wiles, D., 1988, Slavery and Other Forms of Unfree Labour. Archer, L. (ed.). London: Routledge, p. 53-67Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Translating Greek theatre
Wiles, D., 2007, In: Theatre Journal. 59, 3, p. 363-366Research output: Contribution to journal › Article › peer-review
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The Use of Masks in Modern Performances of Greek Drama
Wiles, D., 2003, Dionysus since 69. Hall, E., Macintosh, F. & Wrigley, A. (eds.). Oxford: Oxford University Press, p. 245-263Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Aristotle’s Poetics and ancient dramatic theory
Wiles, D., 2007, The Cambridge Companion to Greek and Roman Theatre. Walton, J. M. & McDonald, M. (eds.). Cambridge: Cambridge University Press, p. 92-107Research output: Chapter in Book/Report/Conference proceeding › Chapter
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The seven gates of Aeschylus
Wiles, D., 1993, In: Drama. 2, p. 180-194Research output: Contribution to journal › Article › peer-review
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Mask and Performance in Greek tragedy: From Ancient Festival to Modern Experimentation
Wiles, D., 2007, Cambridge: Cambridge University Press.Research output: Book/Report › Book
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The carnivalesque in A Midsummer Night’s Dream
Wiles, D., 1998, Shakespeare and Carnival: after Bakhtin. Knowles, R. (ed.). Basingstoke: Palgrave Macmillan, p. 61-82Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Menander's Dyskolos and Demetrios of Phaleron's dilemma
Wiles, D., 1984, In: Greece and Rome. 31, p. 170-180Research output: Contribution to journal › Article › peer-review
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Fête du vin, fête divine, fête du théâtre
Wiles, D., 2000, In: Cahiers du GITA. 13, p. 51-64Research output: Contribution to journal › Article › peer-review
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Theatre in Roman and Christian Europe
Wiles, D., 1995, The Oxford Illustrated History of Theatre. Brown, J. R. (ed.). Oxford: Oxford University Press, p. 49-92Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Oedipus: the chronotope
Wiles, D., 2011, (Accepted/In press) Close Relations: the Spaces of Greek and Roman Theatre. Griffiths, J. & Monaghan, P. (eds.). Cambridge: Cambridge ScholarsResearch output: Chapter in Book/Report/Conference proceeding › Chapter
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The mythical Medea and her historical counterparts
Wiles, D., 2003, European Cultural Centre of Delphi IX International Meeting on History and Myths (1995). Delphi: ECCD, p. 81-86Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Education for citizenship: the uses of Antigone (in Greek translation)
Wiles, D., 2011, (Accepted/In press) Reception of Ancient Greek Drama & Education. Merkouri, N., Mavromoustakos, P., Shoenmakers, H. & Hardwick, L. (eds.).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Shakespeare and the medieval idea of the play
Wiles, D., 1992, The Show Within: Dramatic and Other Insets. Laroque, F. (ed.). Publications de l'Université Paul Valéry, Montpellier III, p. 65-74 (Collection Astraea; vol. 4).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Seeing is believing: the historian’s use of images
Wiles, D., 2010, Representing the Past: Essays in the Historiography of Performance. Canning, C. & Postlewait, T. (eds.). Iowa: Iowa University Press, p. 215 239 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Place et espace du mal dans Macbeth
Wiles, D. & Laroque, F. (Translator), 1993, In: Nouvelle Revue du Seizième Siècle. 11, p. 55-70Research output: Contribution to journal › Article › peer-review
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The staging of the recognition scene in the Choephoroi
Wiles, D., 1988, In: The Classical Quarterly. 38, p. 82-85Research output: Contribution to journal › Article › peer-review
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The Lewes bonfire festival
Wiles, D., 1996, In: New Theatre Quarterly. 12, 46, p. 177-191Research output: Contribution to journal › Article › peer-review
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Marriage and prostitution in classical New Comedy
Wiles, D., 1989, Women in Theatre: Themes in Drama Vol.11. Redmond, J. (ed.). Cambridge: Cambridge University Press, p. 31-48Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Education for Citizenship: The Uses of Antigone
Wiles, D., 2011, In: Logeion: A Journal of Ancient Theatre. 1, p. 1-8Research output: Contribution to journal › Article › peer-review
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Les Sept contre Thèbes d'Eschyle: approche structuraliste vers l'espace théâtral
Wiles, D. & Ghiron-Bistagne, P. (Translator), 1991, In: Cahiers du GITA. 6, p. 145-160Research output: Contribution to journal › Article › peer-review
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Why did Greek actors wear masks?
Wiles, D., 2001, In: Omnibus. 42, p. 27-29Research output: Contribution to journal › Article › peer-review
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Greek Theatre Performance: an Introduction
Wiles, D., 2000, Cambridge: Cambridge University Press.Research output: Book/Report › Book
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Poetic language and corporeality in translations of Greek tragedy
Wiles, D. & Harrop, S., 2008, In: New Theatre Quarterly. 24, p. 51-64Research output: Contribution to journal › Article › peer-review
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Tragedy in Athens: Performance Space and Theatrical Meaning
Wiles, D., 1997, Cambridge: Cambridge University Press.Research output: Book/Report › Book
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The aesthetics of variety: to poikilon in the western tradition
Wiles, D., 2003, In: Pallas. 61, p. 361-364Research output: Contribution to journal › Article › peer-review
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Shakespeare's Almanac: A Midsummer Night's Dream, Marriage and the Elizabethan Calendar
Wiles, D., 1993, Woodbridge: D.S.Brewer.Research output: Book/Report › Book
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The masks of Greek tragedy as point of departure for modern performance
Wiles, D. & Vervain, C., 2001, In: New Theatre Quarterly. 17, p. 254-272Research output: Contribution to journal › Article › peer-review
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Classics and theatre studies
Wiles, D., 1998, In: Franco-British Studies. 26, p. 61-64Research output: Contribution to journal › Article › peer-review
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Reading Greek performance
Wiles, D., 1987, In: Greece and Rome. 34, p. 136-151Research output: Contribution to journal › Article › peer-review
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A Poor Man's 'What Shall I Do'
Wiles, D., 1994, In: Notes and Queries. 239, p. 452-455Research output: Contribution to journal › Article › peer-review
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Théâtre dionysiaque dans le ‘Banquet’ de Xénophon
Wiles, D., 2000, In: Cahiers du GITA. 13, p. 107-118Research output: Contribution to journal › Article › peer-review
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Astrology and the Elizabethan Epithalamium
Wiles, D., 1993, Le Mariage au temps de la Renaissance. Jones-Davies, M. -T. (ed.). Paris: Klincksiek, p. 61-72Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Theatre and Citizenship: the History of a Practice
Wiles, D., 2011, Cambridge: Cambridge University Press.Research output: Book/Report › Book
File311 Downloads (Pure) -
In Search of Another Eye: Mimesis, Chinese Aesthetics, Post-modern Theatre
Sohn, W., 2011, (Unpublished)Research output: Thesis › Doctoral Thesis
File1073 Downloads (Pure) -
Taking farce seriously: recent critical approaches to Plautus
Wiles, D., 1987, Farce: Themes in Drama Vol.10. Redmond, J. (ed.). Cambridge: Cambridge University Press, p. 261-271Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Hrosvitha of Gandersheim: the performance of her plays in the tenth century
Wiles, D., 1999, In: Theatre History Studies. 19, p. 133-150Research output: Contribution to journal › Article › peer-review
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The Cambridge Companion to Theatre History
Wiles, D. (ed.) & Dymkowski, C. (ed.), Nov 2012, Cambridge: Cambridge University Press.Research output: Book/Report › Book
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Greek and Shakespearean plays in performance: their different academic receptions
Wiles, D., 2010, Theorising performance: Greek Drama, Cultural History and Critical Practice. Hall, E. & Harrop, S. (eds.). London: Duckworth, p. 43-55Research output: Chapter in Book/Report/Conference proceeding › Chapter
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The Theatre of Drottningholm: Performing Today on the Baroque Stage: 3.5 chapters in co-authored volume
Wiles, D., 2013, (In preparation) Iowa University Press.Research output: Book/Report › Book
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"HY]Ψ[IPYLE”: a version for the stage
Wiles, D., 2005, Lost Dramas of Classical Athens: Greek tragic fragments. McHardy, F., Robson, J. & Harvey, D. (eds.). Exeter: University of Exeter Press, p. 189-207Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Antyk Grecki – inspiracja spektakli Gardzienic
Wiles, D. & Mackiewicz, P. P. (Translator), 2008, Teatr Obiecany: 30 lat “Gardzienic”. Taranienko, Z. (ed.). Warsaw: Wydawnictwo SWPS Academica, p. 212-224Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Work/place: Making Theatre in new and old spaces
Wiles, D., 2000, In: Studies in Theatre and Performance. 20, p. 205-208Research output: Contribution to journal › Article › peer-review