Project Details
| Status | Finished |
|---|---|
| Effective start/end date | 1/06/11 → 31/05/13 |
Funding
- British Academy: £6,372.00
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“The Figure in the Carpet”: Bodily Experience and Abstraction in Duncan Grant’s Abstract Kinetic Collage Painting with Sound (1914) and Designs for the Omega Workshop
Townsend, C., 2014, (Accepted/In press) Across the Great Divide: Modernism's Intermedialities from Futurism to Fluxus. Townsend, C., Trott, A. & Davies, R. (eds.). Cambridge ScholarsResearch output: Chapter in Book/Report/Conference proceeding › Chapter
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‘The Last Hope of Intuition: Francis Picabia, Erik Satie and René Clair’s Intermedial Projects Relâche and Entr’acte’
Townsend, C., 2011, In: Nottingham French Studies. 50, 3, p. 43-66Research output: Contribution to journal › Article › peer-review
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38th Annual Conference, Association of Art Historians. The Open University, Milton Keynes
Townsend, C. (Participant)
31 Mar 2012Activity: Participating in or organising an event › Participation in a conference
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'391' as Movie Magazine: Francis Picabia’s critique of commercial cinema, celebrity boxers and the call-to-order
Townsend, C. (Participant)
22 Feb 2012Activity: Participating in or organising an event › Workshop, seminar, course or webinar.