Research output per year
Research output per year
Victoria Mapplebeck is a BAFTA award winning artist and film director. She is also Professor of Digital Arts in Media Arts. Victoria’s films explore autobiographical stories which ask universal questions about our relationship with technology, parenting, health and wellbeing.
For the last decade, Victoria has been shooting continuously with smartphones. She is passionate about the innovation, intimacy and accessibility of smartphone filmmaking. In 2015, she wrote, filmed and directed '160 Characters' a smartphone short for Film London. Shot entirely on an iPhone 6, '160 Characters' brings to life the secrets buried in a vintage Nokia. When the film launched online it received a Vimeo Staff pick.
In 2017, Victoria wrote, filmed and directed 'Missed Call' ‘Missed Call’ explores the difficult decision to reconnect with her son’s absent father. It begins with the last message he sent in 2006 and ends with the first call to him over a decade later.
‘Missed Call’ won Best Short Form Programme at the 2019 BAFTAs and Best Documentary Short at The 2019 Broadcast Digital Awards. Commissioned by Real Stories with an online audience of 5.59 million viewers, Missed Call was the first smartphone short to win an academy award. In 2021 Victoria co founded and co curated 'SMart, The London International Smartphone Film Festival', with director and former Channel 4 commissioner Adam Gee.
Victoria recently completed ‘Motherboard’ a smartphone feature documentary, filmed over 20 years which charts the joy, pain and comedy of raising her son Jim alone. Victoria first began documenting their lives with her old DVCAM before shooting almost daily on five generations of smartphones, from the iPhone 6 to the iPhone 15. She recorded hundreds of hours of footage, capturing each twist and turn in Jim’s life, from the thumbs-up he gave her during her first scan, to his first day at college.
‘Motherboard’ is the antidote to the judgmental and unrealistic expectations we have about motherhood, creating an honest, funny and relatable film for any mother who has wept tears of both joy and frustration.
‘Motherboard’ received funding from OKRE and Women in Film and TV . It was bought by Autlook Film Sales. Motherboard and had its world premiere at CPH;Dox in Copenhagen where it received a four star review by Peter Bradshaw in The Guardian and was featured on Radio 4's - Front Row. Motherboard will have its UK premiere at London Film festival in 2024 and go on general release in 2025
Victoria is passionate about new modes of documentary storytelling. Over the last three decades she has experimented with new technologies and new platforms to build new audiences. In 2016, in partnership with the BALTIC Centre for Contemporary Art, Victoria wrote, directed and curated TEXT ME - An award winning interactive arts project exploring how audiences could collect, curate and share stories from their digital past. As part of this six week exhibition, gallery visitors created their own artworks, inspired by a story or secret buried in their mobile phone. TEXT ME won The Pixel Lab Prize and The Merging Media Prize for Best European Cross platform Project. It was also selected for University UK’s 20 Ideas for Life, one of 20 national research projects, which celebrated ‘The impact universities have on everyday lives in the UK and beyond, including the value and importance of their world leading research’.
More recently, Victoria’s work has explored intimacy, narrative and presence design in spatial storytelling. In 2019, she was awarded an EPSRC Immersive Documentary Encounters Commission, to create a VR project which told the story of her breast cancer (as patient and film-maker) . This multi platform project also includes a 30 minute smartphone short film which premiered on The Guardian website in 2019
The Waiting Room VR project premiered at the 76th Venice International Film Festival , won IDFA DocLab Award for Digital Storytelling and was also featured on BBC Click . It was also selected for Forbe’s Top 50 XR experiences of 2019 and chosen by MIT as one of ‘The Best of International 360 Cinema in VR’ projects over the last decade. The Waiting Room VR is archived on the MIT Docubase site, a curated platform, ‘of the people, projects, and technologies transforming documentary in the digital age’.
In 2021 Victoria wrote and directed, 'Testing Times' an immersive audio experience which features over 50 hours of phone calls and voicemails, with friends, family and doctors, capturing the challenges of multiple lockdowns. 'Testing Times' premiered at IDFA in 2021. In Spring 2022 it was showcased at The True/False Arts Festival in Ohio and in 2023, it was part of a BFI Expanded showcase celebrating the work of women and non binary directors working in XR.
For the last 18 years, Victoria has taught film practice to many undergrad and postgrad students in Media Arts. She is passionate about developing and delivering engaging and inclusive forms of teaching and learning, which encourage and inspire students to achieve excellence in creative filmmaking, immersive media and their future careers in the creative industries.
Victoria is the Equality Champion in Media Arts, and committed to shaping a new generation of Media professionals who will help to create a more inclusive and diverse industry. Victoria’s article for The Conversation exploring the lack of gender parity in Film and TV, had 16,000 online views and has been widely shared and debated by our students.
Victoria has been invited to sit on many international Film and Immersive Festival juries. Her creative research has achieved significant external impact in international press and media including BBC News, Sky News , ITV News, BBC Click, The Economist, The Times, The Observer, Radio 4, Amazon Studios, Screen Daily, Voices of VR, Bertha Dochouse and Broadcast magazine. Victoria has also written many features on her practice research for The Huffington Post ,Wired magazine and The Conversation.
Victoria is also a BAFTA member
Films, articles and more info at the link below:
https://victoriamapplebeck.com
email:[email protected]
In 2015, UN member states agreed to 17 global Sustainable Development Goals (SDGs) to end poverty, protect the planet and ensure prosperity for all. This person’s work contributes towards the following SDG(s):
Research output: Non-textual form › Digital or Visual Products
Research output: Non-textual form › Digital or Visual Products
Research output: Non-textual form › Digital or Visual Products
Research output: Non-textual form › Digital or Visual Products
Research output: Non-textual form › Digital or Visual Products
Mapplebeck, V. (Participant)
Activity: Other › Public engagement, outreach and knowledge exchange - Newspaper/magazine
Mapplebeck, V. (Participant)
Activity: Other › Public engagement, outreach and knowledge exchange - Newspaper/magazine
Mapplebeck, V. (Speaker)
Activity: Talk or presentation › Invited talk
Mapplebeck, V. (Speaker)
Activity: Talk or presentation › Invited talk
Mapplebeck, V. (Participant)
Activity: Other › Public engagement, outreach and knowledge exchange - Newspaper/magazine
Mapplebeck, V. (Recipient), 5 Jul 2018
Prize: Other distinction
Mapplebeck, V. (Recipient), 12 May 2019
Prize: Prize (including medals and awards)
Mapplebeck, V. (Recipient), 1 Mar 2017
Prize: Prize (including medals and awards)
Mapplebeck, V. (Recipient), 2014
Prize: Prize (including medals and awards)
Mapplebeck, V. (Recipient), 3 Jul 2019
Prize: Prize (including medals and awards)