Tim Armstrong

I worked at Royal Holloway from 1995 to my retirement in 2024. Before that I taught at the University of Sheffield for six years, at University College Cork, and at University College London, where I did my graduate work.  My BA and MA were at the University of Canterbury, New Zealand. I worked as a diplomat for a few years in Wellington before starting a PhD, and in my teens I was a licenced free-diver for paua.

My main research areas are Modernism, American literature, literature and technology, the body (including such areas as sexology, bodily reform, cinema, and sound); and the poetry of Thomas Hardy. For earlier books including Modernism, Technology and the Body, Haunted Hardy, and Modernism: A Cultural History, see the panel above.  My study of slavery as cultural metaphor, The Logic of Slavery: Debt, Technology and Pain in American Literature, for CUP (early sample here|), was awarded the 2013 C. Hugh Holman Prize of the Society for the Study of Southern Literature for the best book of literary scholarship or criticism in the field of Southern literature in its year, and was a Choice outstanding academic title the same year. My most recent book is Micromodernism: Rethinking Literary Renewal in the Long 1930s (Edinburgh University Press, 2025), a study which asks whether 'modernism' and its canon conceal as much as they reveal.

Recent articles have covered modernism and mathematics, modernism and time; modernism and music; modernism and biology; slavery in in American literature 1900-45, William Faulkner, Eithne Wilkins, and aspects of Thomas Hardy's work.

I am co-editor of the Edinburgh University Press series Edinburgh Critical Studies in Modernist Culture, and one of the organizers of the London Modernism Seminar, now well into its 4th decade.  I was chair of the British Association for Modernist Studies (BAMS) in 2019.

Full list of publications here.   Some of my work can be read on my academia.edu page.

Supervision

I have supervised 27 research degrees to completion, and usually have around 3-4 supervisees (I've also examined around 70 PhDs at 25 different institutions).  Recent areas of supervision include lesbian modernism, modernism and fashion, modernism and visual culture, African-American literature, post-9/11 fiction, Kathy Acker, Virginia Woolf, Hart Crane, and Gertrude Stein. Retirement in 2024 means I cannot take new students.

I taught Modernism on a dedicated MA Modernism then on  the MA English Literature and courses including Introducing America, The American Century, Dark Reform (on American satire and the reform mode), Odysseus' Scar: Time in Modern Literature, and African American Literature, etc.|

London Modernism Seminar

British Association for Modernist Studies

British Association for American Studies

Fellow of the English Association