A critical reappraisal of the reception of Konrad Wolf’s Divided Heaven (GDR, 1964) and Aleksandr Askoldov’s The Commissar (USSR, 1967/87)

Activity: Participating in or organising an event › Participation in workshop, seminar, course

Description

Departments of Visual and Cultural Studies and German Studies, University of Rochester
PeriodMar 2006
Event typeOther
Sponsor